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It's one of those films that you have to admire because of how much work and effort was put into making this Scott's vision from the start. It's 5 years old and I'm not sure I have seen a science fiction film look more hauntingly real than Prometheus.
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This film could easily hold a class as to how to properly shoot cinematography. His direction and the cinematography is absolutely astounding.
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Rapace has a particular scene lying on a medical bed that is some of the best acting this entire series has offered, but I think this film works far better when the vision stays in Ridley Scott's court of directing. That's not to say this film doesn't have some great character work. In other Alien-related films you made not need as much character development because the film isn't built around its cast, but this film feels more character centric and slower paced than others, hence needed some more work.
However, besides Rapace and Fassbender, most of the casts' characters aren't fleshed out enough. Every Alien film's strength seems to always lie with its cast, but perhaps this was the best ensemble of any of the films to date. The film assembles quite the ensemble, including Noomi Rapace, Michael Fassbender, Charlize Theron, Guy Pearce, Sean Harris, Kate Dickie, Benedict Wong, and Idris Elba.
Of course, the film rarely makes all of the answers to these questions accessible without analysis, but it interests me far more than another film hanging onto the scares of a two-mouthed creature. To me, the parts of Prometheus that work the most are when the film is trying to build mythology around the mysterious "Engineers" and their possible relation to the creation of humans and/or Xenomorphs. I feel like Scott really wanted to make a science fiction film with exploration at the center of it, and throw in some Alien terror and action to create a blockbuster-y feel. Prometheus is a fascinating and sometimes thrilling addition to the series, albeit with an imperfect way of going about it. Released in 1997, "Alien: Resurrection" remains the final chronological film in the franchise. "Alien: Resurrection" is streaming for a fee on Apple and Amazon.Ridley Scott's return to the Alien franchise was a divisive one. Instead, it leaves the film with the same almost-was melancholy that Ripley and Call feel when they both glimpse Earth for the first time. In a better film, the androids' choice to become more like the humans that tried to stop Weyland and his successors would feel more important.
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Call is an autonomous second-gen android who, like others of her line, have made fixing the malicious ethics of their makers into a cause. But while cloning has leached away some of Ripley's humanity, the androids get a short but fascinating plot about becoming more human than their makers. The cloning storyline in "Alien: Resurrection" is garbage carried by good performances, with Ripley 8 becoming David's inhuman bookend. Gaska created a terrific resource in his essay, "Defining Canon in an Alien World." Building off of that, here's what you need to know if you're planning to watch the Alien series in order.Īnd yet, the mega-corporation left all of its toys behind, and the United Systems Military still wants what Peter Weyland promised them centuries ago. However, franchise consultant Andrew E.C. When watching the films in order, these themes, with some exceptions, help fans understand where they are in the series' long and complex history.ĭetermining what is and isn't canon in the broader Alien franchise can be tricky.
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Though the mystery of the Xenomorphs is the acid-drenched soul of the franchise, the movies also tackle the nature of free will through its android characters, and decry the militaristic greed that fuels companies like Weyland-Yutani. However, there are a few themes that tie most of the films together. The timeline of the Alien franchise can be hard to follow, as Ridley Scott delved into the creation of the Xenomorphs decades after making the first movie. With a new Alien series exploring amoral mega-corporation Weyland-Yutani on the way, it's worth studying how we got here. Ridley Scott's Xenomorph started its hunt with "Alien" in 1979, and though there have been some pauses between installments, we inevitably return to its bleak, Geiger-designed future again and again.